"It's Halftime In America" Secures Top Spots on Year-End "Best of 2012" Ad Lists

UPDATE: David Gordon Green's collaboration with Wieden+Kennedy, "It's Halftime in America" for Chrysler kicks off Creativity's countdown of "Best in Brand Creativity 2012"

Congratulations to all included on a year of great work, and our thanks to Creativity!


As the end of the year draws near, we begin to see the "Best Advertising of 2012" lists emerge, and we are overjoyed and extremely thankful to see that David Gordon Green's "It's Halftime in America" for Chrysler with W+K Portland has made a lasting impression, and stands up as one of the best spots of the year in many's minds.

We offer our thanks and appreciation to Co.Create, SHOOT Magazine, Adweek and TIME Magazine for their inclusion of our work. And to all whose great work we stand alongside, congratulations to you as well.


And to W+K, congratulations on being widely recognized as one of the best Agencies of the year, most recently by SHOOT Magazine. Congratulations!

For the full "Best of" lists mentioned, click on: Co.Create, SHOOT, Adweek, TIME

SHOOT Magazine features 2 Chelsea Directors in Sundance 2013 Feature

SHOOT Magazine has featured Chelsea Directors David Gordon Green in their feature on Sundance 2013, about filmmakers with ties to the commercial industry!

Check out an excerpt below, and the full article here!

     "...Director David Gordon Green of production house Chelsea--and who helmed this year's Chrysler Super Bowl spot "It's Halftime in America"--finds his Prince Avalanche, which he also scripted, in the Premieres showcase. The film centers on two highway road workers who spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind. Cast: Paul Rudd, Emile Hirsch.

     "Oscar-winning documentarian (Taxi to the Dark Side) Alex Gibney, also repped by Chelsea for spots, has his We Steal Secrets: The Story of WikiLeaks in the Documentary Premieres section. In 2010, WikiLeaks and its sources used the power of the Internet to usher in what was for some a new era of transparency and for others the beginnings of an information war."