David Gordon Green from Jesse Thorn on Vimeo.
Thursday, March 25, 2010
DGG @ SXSW (See Post For Translation)
He's A Red Sox Fan, Despite The Photos
Thursday, March 4, 2010
We Ran Out of Chairs!
And it's a good thing. A busy day at 33 Bond with Chelsea, Lair, and Pulse Films all working feverishly. Luckily we found these folding chairs in a nearby store, which will be put out to pasture in the back garden come springtime.
Friday, February 19, 2010
Lauren Greenfield on Special Assignment For New York Magazine's Spring Fashion Issue
Lauren Greenfield just completed a major multiplatform fashion project for New York magazine. Greenfield shot more than 50 runway shows in Paris, Milan, and New York, resulting in a twenty-four page spread in the Spring Fashion Issue, as well as a short film that debuted on the magazine's website. Greenfield's focus was deconstructing the traditional "look" of fashion week photography and addressing the multifaceted creative processes that come together to create high fashion. The shoot has been commented on and reblogged all across the internet, but the main page of it is here, a really good interview with Greenfield about the project is here, and included in this post is her video montage and selected tear sheets from the magazine. Congrats to Lauren and everyone who made this major project possible!
Sunday, February 14, 2010
Charles Mehling for Corinne Bailey Rae, "Paris Nights / New York Mornings"
Tuesday, February 2, 2010
Straight From London - Anthony Dickenson + Nike + Wayne Rooney
Alex Gibney - Sundance 2010 Roundup
Alex Gibney had, not surprisingly, one heck of a Sundance experience. The world premiere of "CASINO JACK and The United States of Money" was a major event, and the film marked Gibney's return to his core subject, the intersection of money, power, and politics. The Sundance catalog summarizes the film thusly:
This portrait of Washington super lobbyist Jack Abramoff—from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah—confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue with Indian casinos, Russian spies, Chinese sweatshops, and a mob-style killing in Miami, this is the story of the way money corrupts our political process.
Check out Alex's own take on the whole experience here, on his blog for The Atlantic, and the Cinematical review here. Magnolia is aiming for a wide release of the film in spring of 2010.
Tuesday, December 8, 2009
Johan + Nike + Orange Tape = Creativity Top Spot!
The word ‘BEZET’ means ‘taken’ and is inspired by Queen’s Day (April, 30) when the Amsterdammers claim their street market stall space the nights before the actual event by taping off an area and writing ‘bezet’. The words ‘bloed oranje’ ask the Dutch to ‘bleed orange’ for their country. Usually the ‘orange’ advertising around big football (soccer) tournaments is overwhelming and not very subtle, which makes it difficult for an advertiser to stand out. This video – distributed through Nike’s websites – is therefore well timed and with its grassrooty character (reinforced by the catchy music by Dutch electro band ‘Daily Bread’) more sympathetic than your regular over-obvious ‘orange painting’. For those of you not interested in (Dutch) football; the guy at the end is Frank de Boer – assistant coach of the Dutch team.
Thursday, December 3, 2009
Chelsea's Most Agile Employee
Alex Gibney's "Casino Jack" Set to Premiere at Sundance!
Wednesday, December 2, 2009
For All You New Yorkers: December 7th Screening of "Money-Driven Medicine" with Alex Gibney Q&A
Tuesday, December 1, 2009
Lauren Greenfield's Dubai Photo Essay Hits The New York Times
“Dubai is a cautionary tale in the same way as the foreclosure crisis — which I photographed — was,” Ms. Greenfield said last weekend, as the financial crisis in Dubai unfolded. “Dubai was this miracle of development with minimal planning and no infrastructure.”The original Times story and interview with Lauren is here, and some interesting reblogging here and here.
Wednesday, November 18, 2009
Two Kevin Macdonald Films Make "Top 100 Films of the Noughties"
Forest Whitaker gives one of the great performances of the decade as Idi Amin. He nails the Ugandan dictator’s deadly charm — he’s a charismatic monster; part amiable buffoon, part stone-cold killer.
Tuesday, November 10, 2009
Christmas in November: Chelsea Signs Director Neil Abramson
FOR IMMEDIATE RELEASE
CHELSEA SIGNS DIRECTOR NEIL ABRAMSON
FOR COMMERCIAL REPRESENTATION
Chelsea is proud to announce the signing of Neil Abramson, a director/cameraman with a global perspective and unmistakable vision. A filmmaker and photographer with an unflinching eye and distinct purpose, in the commercial realm Abramson is known as a storyteller with exquisite photography. His client list includes Nike, McDonald’s, Cadillac, Ad Council, Jack Daniels, Acura, Merrill Lynch, and Lexus. His industry awards include a Clio, a Silver and Golden Lion, and an AICP Show award.
Chelsea partner Allison Amon adds, “Having previously worked with Neil during my time at Palomar, I couldn’t be more pleased to be working with him again. His creative process is an excellent fit for the way Chelsea works.”
Abramson’s feature and documentary films explore the dramatic components of everyday life, focusing on the triumphs and difficulties people encounter. Abramson’s latest feature film, American Son, premiered at Sundance and was distributed nationally by Miramax/Disney. Starring Nick Cannon, the film follows a young Marine during his last 96 hours on leave before having to depart for duty in Iraq.
The film exemplifies the hallmarks of Abramson’s work, sensitivity, powerful emotions, compelling stories, and intimate photography. Abramson’s debut film, Without Air, also a Sundance premiere, was heralded as a tough and uncompromising portrait of a woman on the edge, and his documentary Soldier Child was championed by the United Nations to call attention to the horrific plight of child soldiers in Uganda.
Chelsea partner Lisa Mehling said, “Neil’s work is outstanding, in both entertainment and advertising. His strength as a visual storytelling is a compliment to the to the Chelsea roster.”
Abramson lives in Los Angeles.